Sanshô dayû ("Sansho the Bailiff")
(1954)
Directed by Kenji
Mizoguchi, written by Yahiro
Fuji, Ogai Mori, and Yoshikata Yoda
Capsule
review by Alan Thomas of MoviesMatter
In this deeply moving piece about a noble family torn apart in medieval
Japan, we see the world primarily through a brother and sister than
have been sold into slavery as children, growing up with the knowledge
of their noble birth and wise upbringing, yet having to experience the
roughest of environments at the hands of the title character, a slavemaster
and tax collector.
In this environment, the children experience both mercy and brutality
and with the memory of their saintly father's teaching on mercy, must
decide from which they will ultimately draw their identities and how
they will respond to the ugly world in which they must now survive.
Ultimately the film questions the very use of power in an unjust society.
This film also explores some of the brutality of Japan's romanticized
past, particularly the victimization of women, yet in it we see so much
that speaks of the beauty and agony of the human condition.
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